KS4 English
In English at RGS, we will broaden our horizons by meeting new people and new cultures through texts from a range of times and places. We will understand and appreciate the value of our literary heritage, using this knowledge to make sense of the present day. We will read widely including a range of fiction and non- fiction texts and will be curious about language and vocabulary. We will use language effectively ourselves, becoming highly articulate individuals, with the vocabulary and rhetoric to be able to express our own voices and independently formed opinions, as well as challenge others where necessary. Above all we will develop empathy which will allow us to become open minded individuals who embrace and enjoy the wider world around us.
We believe stories are fundamental to our understanding of the world, and therefore our curriculum is structured using the three core strands of Voices, Literary Heritage and Empathy. Having visited Stories Through Time in Y7, Stories Across Place in Y8 and Stories of People in Y9, KS4 moves on to include Stories Which Stand the Test of Time.
As Chimamanda Ngozie Adichie said, “Stories matter. Many stories matter. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanize. Stories can break the dignity of a people, but stories can also repair that broken dignity….When we reject the single story, when we realize that there is never a single story about any place, we regain a kind of paradise.”
Exam board:
AQA English Language GCSE
AQA English Literature GCSE
How is this examined?
English Language:
- Paper One (1 hour and 45 minutes): Fiction, One twentieth or twenty-first century prose extract, 4 reading questions and 1 writing question. (Descriptive and narrative writing - choice of two questions).
- Paper Two (1 hour and 45 minutes): Non-fiction. One nineteenth-century non-fiction text and one twentieth or twenty-first century text. (Speech, letter, essay, article or leaflet). 4 reading questions and 1 writing question (non-fiction one of the aforementioned forms - no choice of question.)
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English Literature:
- Paper One (1 hour 30 minutes): Shakespeare and 19th century novel.2 extract-based essays, no choice of question and closed book.
- Paper Two (2 hours and 15 minutes): Modern text (novel or play) choice of two questions, Poetry (Power and Conflict/Love and Relationships) anthology and Unseen Poetry. Closed book.
Our Curriculum:
At Redland Green we have a team of passionate and exceptional English teachers. Each of the team brings their own interest and experience to the role. While the core elements remain the same between each class (for example a modern novel, a 19th century and a poetry anthology), the actual texts chosen are chosen by the class teacher to allow them to bring their own passion and experience to their class. This has been shown through the last few years to deliver excellent outcomes for our students.
Year 10 | Year 11 |
Term 1 & 2: Empathy
Term 3: Rhetoric and Voices
Term 4: Literary Heritage
Term 5: Literary Heritage
Term 6: Empathy
|
Term 1: Literary Heritage
Literature: Shakespeare: Macbeth, Romeo and Juliet or Much Ado About Nothing
Term 2: Literary Heritage
Term 3 &4: Revision
Term 5 & 6
|
Wider Reading Recommendation Lists
y10 book list document a4 .pdf
a level aspiration reading list.pdf
Why is the course sequenced this way?
In Year 10, we focus on introducing students to both English Literature and English Language and intentionally cover the majority of the Literature course content. We interleave our two subjects so students are able to make progress in both Language and Literature, and also are able to identify that the skills for analysing fiction and non fiction texts for English Language (Papers 1 and 2) are inherently practised in the skills developed when approaching our Literature texts.
Having progressed through Year 10, students will apply their skills to the Shakespeare text, as well as having a more explicit focus on exam skills. Students will consolidate their knowledge and practise the application of the knowledge and skills from Year 10, improving their own learning by revisiting the targets set to allow them to demonstrate their understanding, analysis and evaluation of their Literature texts and Language skills.
Key Stage 4 - Cross Curricular Reading
One of the best ways to get high marks in your GCSE subjects is to ‘conceptualise’ your essay responses to exam questions.
This essentially means having ‘a take’ or thesis in your essay i.e. you use your essay to say something interesting or relevant in response to that essay title.
One of the best ways to do this is to make cross-curricular links across your GCSE learning.
To help you do this below are some links to online non fiction reading that will help you make connections between your different GCSE subjects.
THE MODERN NOVEL
Lord of the Flies
Psychology:
The Psychology of Group Dynamics and ‘Evil’
Denial: The Psychology and Physiology Behind Staying Alive
History:
A podcast on how fascism starts
R&W:
Is Evil: ‘A Darkness in Ourselves’?
St Augustine and The ‘Origin’ of Evil
Does Society Promote or Create Evil?
Animal Farm
Psychology:
The Psychology of Dictatorships
History:
Mr Jones: How a Welsh Journalist Exposed The Horror of Stalin’s Ukraine Famines
Podcast - 'Communism: The Rest Is History'
R&W:
Does Society Promote or Create Evil?
The Russian Orthodox Church in Animal Farm
George Orwell and The Church of England
An Inspector Calls
Psychology:
Capitalism, Selfishness and Psychology
History:
Modern-day Exploitation in the UK
R&W:
Does Society Promote or Create Evil?
Never Let me Go
Psychology:
Identity, Psychology and ‘The Soul’
What Defines our Identities: Memories or Morality?
Robots: A Fear of the Unknown?
Human Experiments: The Good, The Bad, The Ugly
Alienation, Reification, and a Poverty of Imagination in Never Let Me Go
History:
Is it Right to use Nazi Research if it Can Save Lives?
How Do the Law and Scientific Developments Interact?
Alienation, Reification, and a Poverty of Imagination in Never Let Me Go
R&W:
Human Experiments: The Good, The Bad, The Ugly
Scientific ‘Evidence’ for The Soul
THE 19th CENTURY NOVEL
Frankenstien
Psychology:
Research Ethics: Frankenstein and Contemporary Issues in Biomedical Sciences
Nature Versus Nurture: The Developmental Psychology of Frankenstein’s Monster
Robots: A Fear of the Unknown?
Nature vs. Nurture in Mary Shelley’s Frankenstein
Two centuries on, Frankenstein is the perfect metaphor for the Anthropocene era
A History of Early Modern Science
Medieval Alchemy AKA ‘Weird Science’
Podcast on Mary Shelley and The Monster
Two centuries on, Frankenstein is the perfect metaphor for the Anthropocene era
Satan: The Original ‘Anti Hero in Paradise Lost
Two centuries on, Frankenstein is the perfect metaphor for the Anthropocene era
Jekll and Hyde
Psychology:
Duality in Robert Louis Stevenson’s Dr Jekyll and Mr Hyde
The Depressive Dr. Jekyll and Manic Mr. Hyde
The Psychoanalysis and Symbolism of Stevensons Jekyll and Hyde
The Id, Ego and Superego Shown in Frankenstein and Dr. Jekyll and Mr. Hyde
History:
Grim Realities of Life in London’s 19th Century Slums
The Original Reaction to Drawin’s Theory of Evolution
The Man who Studies Everyday Evil
Dr Jekyll and a Not So Wicked Mr Hyde: How a Portrait of Evil was Toned Down
Christmas Carol
Psychology:
Scrooge Syndrome: Transforming Embitterment
Does My Uncle Scrooge Need Help? A Psychological Evaluation of Ebenezer Scrooge
Science of the Paranormal: Can You Trust Your Own Mind?
Healthy Selfishness and Pathological Altruism: Measuring Two Paradoxical Forms of Selfishness
History:
The Origins of A Christmas Carol
Grim Realities of Life in London’s 19th Century Slum
R&W:
How the story of Christmas saved Islam
SHAKESPEARE
Macbeth
Psychology:
Damned Spot: Guilt, Scrubbing, and More Guilt
Gender Roles in Macbeth and What It Means to Be a Man
History:
The Reformation of the Christian Church in Shakespeare
A royal obsession with black magic started Europe's most brutal witch hunts
'You're Dead to Me' (Podcast)
The Gunpowder Plot and Shakespeare’s Macbeth
The Reformation of the Christian Church in Shakespeare
Romeo & Juliet
Psychology:
The ‘Romeo and Juliet Effect’ - Parental Influence on Relationships
Science vs Shakespeare: which explains love better?
History:
Love, Sex and Marriage in Shakespeare’s Time
Fights, brawls, feuds and duels in Romeo and Juliet and Elizabethan England
Shakespeare and Gender: The Woman's Part
Was Shakespeare secretly a Catholic?
Love, Sex and Marriage in Shakespeare’s Time
Fate, Destiny and Free Will in Shakespeare
Much Ado About Nothing
Psychology:
Comedy, tragedy and gender politics in Much Ado About Nothing
Science vs Shakespeare: which explains love better?
History:
Wit as Empowering Women in Much Ado About Nothing
Gender Roles in Much Ado About Nothing
Comedy, tragedy and gender politics in Much Ado About Nothing
Was Shakespeare secretly a Catholic?
Love, Sex and Marriage in Shakespeare’s Time
Fate, Destiny and Free Will in Shakespeare
POWER AND CONFLICT POETRY
Ozy:
Look on My Works, Ye Mighty … Ozymandias Statue Found in Mud
London:
Looking at The Manuscript of William Blake’s ‘London’
Prelude:
Discovering Literature: Romantics & Victorians
My Last Duchess:
Portrait of a LadyCharge of the Light Brigade:
‘The Charge of The Light Brigade’: Making Poetry From War
Storm on the Island:
Bayonet Charge:
Remains:
Poems For The Lost: Simon Armitage Remembers WW1
Poppies:
Wearing a Poppy Was a Pledge of Peace. Now it serves to Sanitise War
War Photographer:
‘Once Photography Gets a Grip, You're Captive’: Don McCullin and Giles Duley in Conversation
Tissue:
Hunt For Next Poet Laureate Still on as Imtiaz Dharker Says No to Job
Emigree:
Checking Out Me History:
Close Readings of John Agard's ‘Checking Out Me History’, ‘Flag’ and ‘Half Caste’
Kamikaze:
The Last Kamikaze: Two Japanese Pilots Tell How They Cheated Death
POETRY:
Poetry Sales Soar as Political Millennials Search For Clarity
How should I revise?
Use exercise books.
- SAM Learning
- GCSE Pod
- BBC Bitesize
- Quizlet